Nero profondo

Kostantin, a young friend of Gherrit, demonstrates a peculiarity bordering on the paradoxical: he paints completely in the dark, producing (thus) paintings of extraordinary expressiveness. Jan Dix is ​​very impressed by the boy's works, which push him to reflect on the relationship between the birth of life and the founding reasons of art But what does this story have to do with a remote Russian base in which Jan and Annika will find themselves mysteriously segregated?